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iDOCS参展导演Aliona van der Horst简介

2014-09-30 14:09:37 
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iDOCS参展导演Aliona van der Horst简介

About the Director Aliona van der Horst

导演阿丽娜·冯·德·霍斯特

Dutch director Aliona van der Horst has directed fourinternational award-winning documentaries.  She was born in Moscow,Russia, in 1970 and studied Russian literature at the University of Amsterdamand film at the Dutch Film and Television Academy. She began her career in 1997with the much-acclaimed The Lady with the White Hat and since then hasreceived multiple awards for most of her films, among them the Special JuryPrize at the Tribeca film festival forVoicesof Bam (2006), and the Grand Prix of the FIFA Montreal for TheHermitage Dwellers (2004). Recently she has received the Jan Kassiesaward by the Dutch Cultural Broadcasting Fund, for outstanding achievement. Forher latest documentary Boris Ryzhy (2008) she received the ‘SilverWolf Award’ at the IDFA 2008, Best Documentary Award at Edinburgh Filmfestival2009 , the Award of the Dutch Filmjournalists and the Special Jury Prize at theFIFA, Montréal.

荷兰导演阿丽娜·冯·德·霍斯特曾执导过四部获得国际大奖的纪录片。1970年,她出生在俄罗斯的莫斯科,曾在阿姆斯特丹大学读过俄罗斯文学,在荷兰电影电视学院学习过电影。1997年,她以一部备受赞誉的《白帽子夫人》开始了自己的职业生涯,此后她的大部分作品都获得大奖,其中《迷惑之声》(2006)获得翠贝卡电影节的评委会特别奖,《冬宫居民》(2004)获得蒙特利尔国际艺术电影节大奖。最近,由于成就突出,她获得了荷兰文化传播基金会颁发的JanKassies奖。凭借最新纪录片《诗人之死》(2008),她荣获了2008年阿姆斯特丹国际纪录片电影节“银狼奖”,2009年爱丁堡电影节最佳纪录片奖,荷兰电影记者协会大奖和蒙特利尔国际艺术电影节评委会特别奖。

DIRECTOR’SSTATEMENT

Some aspects of life are hard to express inwords.To touch the deep layers of feelings connected to issues of motherhoodand loss and experiences of procreation and the sense of failure it can entail,you need to create something like music, a labyrinth or a ritual. Somethingthat isn’t only about speaking meaning, but explores other ways to express thedeep and intense experiences in our lives. In this documentary, artist andpianist Tomoko Mukaiyama asks a group of Japanese women to participate in herart project exploring and meditating on the meaning of their monthly blood andthe rhythm of their bodies. The women, sometimes for the first time in theirlives, try to give words to their experiences, resulting in powerfultestimonies about the connection between life and death, mortality and thepower of life. Gradually, and unexpectedly, this film evolves into acollaboration between the artist and me. Why did I chose to make a film aboutsuch a sensitive and hard to grasp subject as “female fertility”? I amchallenged by the Tomoko who asks me to participate in her project; confrontingmy own strong and mixed feelings towards being a woman without children of myown. Our conversation takes place in music and images. This film is about howdeeply art can be connected to life and how necessary it it is to express whatwe often cannot speak about.

导演阐述

生活中,有些方面很难用言语表达。如果要探索有关母性、流产、生育经历、随之而来的失意等问题的深层感情,我们需要创建诸如音乐,迷宫或仪式一类的东西,不仅仅是说出意思,而且要探索其他的方式来表达我们生活中深刻而强烈的体验。在这部纪录片中,身兼艺术家和钢琴家的向井山朋子向一群参加她艺术项目的日本女性提问,让她们探索和思考每月流出的经血的意义和自己身体的节奏。这些女性(有的人是人生中第一次)努力去表述她们的亲身经历,她们的叙述有力地证明了生命和死亡,死亡率和生命力之间的联系。渐渐地,这部电影成了艺术家和我之间的合作,这完全出乎我的预料。“为什么我会选择了做一部关于‘女性的生育’这样一个敏感又难以把握的主题的电影?”朋子让我去参加她的项目时,向我提出了这个问题。我也意识到自己作为一个没有孩子的女人,有着浓烈而复杂的心情。我们的对话在音乐和图像中进行。这部电影讲述艺术与生活有多么深入的联系,也说明我们很有必要表达我们通常无法说出口的事情。

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